{"id":1101,"date":"2022-06-28T15:51:38","date_gmt":"2022-06-28T13:51:38","guid":{"rendered":"https:\/\/www.hockney2022.ch\/1001-nacht\/"},"modified":"2022-08-03T14:25:34","modified_gmt":"2022-08-03T12:25:34","slug":"1001-nacht","status":"publish","type":"page","link":"https:\/\/www.hockney2022.ch\/en\/hockney\/1001-nacht\/","title":{"rendered":"1001 Nights"},"content":{"rendered":"\n<div class=\"dt_header-block alignfull\" style=\"background-color: #6f3b75; color: #FFFFFF;\">\n  <h2 class=\"dt_header-block__title\">Longing for the Orient\n<\/h2>\n\n  <div class=\"dt_header-block__content\">\n    <p>When he was young, David Hockney read poems by the Greek poet Constantine P. Cavafy and was touched by his poetic expression of homoeroticism.<\/p>\n  <\/div>\n<\/div>\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-28f84493 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:33.33%\">\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"656\" height=\"940\" src=\"https:\/\/www.hockney2022.ch\/wp-content\/uploads\/sites\/2\/2022\/06\/konstantinos-kavafis-1929-cc-unknown.jpg\" alt=\"\" class=\"wp-image-1007\" srcset=\"https:\/\/www.hockney2022.ch\/wp-content\/uploads\/sites\/2\/2022\/06\/konstantinos-kavafis-1929-cc-unknown.jpg 656w, https:\/\/www.hockney2022.ch\/wp-content\/uploads\/sites\/2\/2022\/06\/konstantinos-kavafis-1929-cc-unknown-209x300.jpg 209w, https:\/\/www.hockney2022.ch\/wp-content\/uploads\/sites\/2\/2022\/06\/konstantinos-kavafis-1929-cc-unknown-420x602.jpg 420w, https:\/\/www.hockney2022.ch\/wp-content\/uploads\/sites\/2\/2022\/06\/konstantinos-kavafis-1929-cc-unknown-255x365.jpg 255w, https:\/\/www.hockney2022.ch\/wp-content\/uploads\/sites\/2\/2022\/06\/konstantinos-kavafis-1929-cc-unknown-530x759.jpg 530w\" sizes=\"auto, (max-width: 656px) 100vw, 656px\" \/><figcaption>Constantine P. Cavafy in Alexandria, photographer unknown, C.P. Cavafy Archives &#8211; Onassis Foundation, source: Wikipedia Commons<\/figcaption><\/figure>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:66.66%\">\n<p>Constantine P. Cavafy (1863\u20131933) was born in Alexandria, Egypt, and spent most of his life there. The Greek poet describes the bustling atmosphere of that big city and, above all, the fleeting glances and encounters between homosexuals, who had to conceal their sexual leanings. In Cavafy\u2019s poems the figures are spurred on by longing: in the tavern, in the tobacco shop, on the street or in bed. Their constant companions are a bad conscience about doing something forbidden and the fear of being caught.<\/p>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-28f84493 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-vertically-aligned-center is-layout-flow wp-block-column-is-layout-flow\">\n<p><strong>Constantine P. Cavafy, <em>Their Beginning<\/em><\/strong>, 1920\u20131930<\/p>\n\n\n\n<p>\u201cTheir illicit pleasure has been fulfilled. <br>They get up and dress quickly, without a word. <br>They come out of the house separately, furtively; <br>and as they move off down the street a bit unsettled, <br>it seems they sense that something about them betrays <br>what kind of bed they\u2019ve just been lying on. <br>But what profit for the life of the artist: <br>tomorrow, the day after, or years later, he\u2019ll give voice <br>to the strong lines that had their beginning here.\u201d<\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"613\" height=\"768\" src=\"https:\/\/www.hockney2022.ch\/wp-content\/uploads\/sites\/2\/2022\/06\/kavafis-manuskript-beginning.jpg\" alt=\"\" class=\"wp-image-1006\" srcset=\"https:\/\/www.hockney2022.ch\/wp-content\/uploads\/sites\/2\/2022\/06\/kavafis-manuskript-beginning.jpg 613w, https:\/\/www.hockney2022.ch\/wp-content\/uploads\/sites\/2\/2022\/06\/kavafis-manuskript-beginning-239x300.jpg 239w, https:\/\/www.hockney2022.ch\/wp-content\/uploads\/sites\/2\/2022\/06\/kavafis-manuskript-beginning-420x526.jpg 420w, https:\/\/www.hockney2022.ch\/wp-content\/uploads\/sites\/2\/2022\/06\/kavafis-manuskript-beginning-255x319.jpg 255w, https:\/\/www.hockney2022.ch\/wp-content\/uploads\/sites\/2\/2022\/06\/kavafis-manuskript-beginning-530x664.jpg 530w\" sizes=\"auto, (max-width: 613px) 100vw, 613px\" \/><figcaption>Constantine P. Cavafy&#8217;s manuscript of the poem <em>Their Beginning<\/em>, \u00a9 2016-2018 Cavafy Archive, Onassis Foundation<\/figcaption><\/figure>\n<\/div>\n<\/div>\n\n\n\n<h2 class=\"wp-block-heading\" id=\"on-cavafys-trail-in-alexandria\">On Cavafy\u2019s Trail in Alexandria<\/h2>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-28f84493 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:66.66%\">\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"1500\" height=\"2305\" src=\"https:\/\/www.hockney2022.ch\/wp-content\/uploads\/sites\/2\/2022\/06\/hockney-beginning.jpg\" alt=\"\" class=\"wp-image-1014\" srcset=\"https:\/\/www.hockney2022.ch\/wp-content\/uploads\/sites\/2\/2022\/06\/hockney-beginning.jpg 1500w, https:\/\/www.hockney2022.ch\/wp-content\/uploads\/sites\/2\/2022\/06\/hockney-beginning-195x300.jpg 195w, https:\/\/www.hockney2022.ch\/wp-content\/uploads\/sites\/2\/2022\/06\/hockney-beginning-666x1024.jpg 666w, https:\/\/www.hockney2022.ch\/wp-content\/uploads\/sites\/2\/2022\/06\/hockney-beginning-768x1180.jpg 768w, https:\/\/www.hockney2022.ch\/wp-content\/uploads\/sites\/2\/2022\/06\/hockney-beginning-1000x1536.jpg 1000w, https:\/\/www.hockney2022.ch\/wp-content\/uploads\/sites\/2\/2022\/06\/hockney-beginning-1333x2048.jpg 1333w, https:\/\/www.hockney2022.ch\/wp-content\/uploads\/sites\/2\/2022\/06\/hockney-beginning-860x1322.jpg 860w, https:\/\/www.hockney2022.ch\/wp-content\/uploads\/sites\/2\/2022\/06\/hockney-beginning-420x645.jpg 420w, https:\/\/www.hockney2022.ch\/wp-content\/uploads\/sites\/2\/2022\/06\/hockney-beginning-1380x2121.jpg 1380w, https:\/\/www.hockney2022.ch\/wp-content\/uploads\/sites\/2\/2022\/06\/hockney-beginning-255x392.jpg 255w, https:\/\/www.hockney2022.ch\/wp-content\/uploads\/sites\/2\/2022\/06\/hockney-beginning-530x814.jpg 530w\" sizes=\"auto, (max-width: 1500px) 100vw, 1500px\" \/><figcaption>David Hockney, <em>The Beginning <\/em>from the series<em> Illustrations for Fourteen Poems from C.P. Cavafy<\/em>, 1966\u20131967, Etching and aquatint on paper, 34.5 \u00d7 22.3 cm, Tate: Purchased 1992, \u00a9 David Hockney<\/figcaption><\/figure>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:33.33%\">\n<p>David Hockney engaged intensely with his homosexuality in the 1960s. He discovered Cavafy\u2019s poetry and how it deals with homosexual love and so he traveled to Alexandria, which the poet describes as being so sensual and cosmopolitan. But Hockney returned from his trip disillusioned. The city did not have the same appeal in reality as it had in Hockney\u2019s imagination. <\/p>\n\n\n\n<p>Later David Hockney travelled to Beirut, where he found the atmosphere of Cavafy\u2019s poems.<\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-4-3 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"David Hockney (1966) - British Council version extract\" width=\"500\" height=\"375\" src=\"https:\/\/www.youtube.com\/embed\/jnH69VDoZD4?start=56&#038;feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><figcaption>David Hockney transfers motifs onto the printing plate with the help of photographs.<\/figcaption><\/figure>\n<\/div>\n<\/div>\n\n\n\n<div style=\"height:46px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-28f84493 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:33.33%\"><\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:66.66%\">\n<h2 class=\"wp-block-heading\" id=\"altogether-unagitated\">Altogether unagitated<\/h2>\n\n\n\n<p>Hockney\u2019s etchings <em>Illustrations for Fourteen Poems from C. P. Cavafy<\/em> are based on his trip to Beirut and his reading of Cavafy\u2019s poems. The artist transferred the motifs to the printing plates with the help of Polaroid photographs. The etchings have been executed using just a few precise lines. The male lovers seem quite matter-of-fact, posing for the artist and looking directly at him. <\/p>\n\n\n\n<p>The publication of Hockney\u2019s series in 1967 coincided with the decriminalisation of homosexuality in Great Britain and thus bears witness to important social changes.<\/p>\n<\/div>\n<\/div>\n\n\n\n<div style=\"height:56px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n","protected":false},"excerpt":{"rendered":"<p>Constantine P. Cavafy (1863\u20131933) was born in Alexandria, Egypt, and spent most of his life there. The Greek poet describes the bustling atmosphere of that big city and, above all, the fleeting glances and encounters between homosexuals, who had to conceal their sexual leanings. In Cavafy\u2019s poems the figures are spurred on by longing: in [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"parent":1047,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"tags":[],"class_list":["post-1101","page","type-page","status-publish","hentry"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.5 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>1001 Nights | Hockney | Kunstmuseum Luzern<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.hockney2022.ch\/en\/hockney\/1001-nacht\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"1001 Nights | Hockney | Kunstmuseum Luzern\" \/>\n<meta property=\"og:description\" content=\"Constantine P. 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